Last year, Laura Cannell released her debut album Quick Sparrows Over The Black Earth, which found the fiddle and recorder player drawing on medieval music for her improvisational compositions. She tells Danny Riley about recording in churches and finding kindred spirits in fellow Early Music fans Bass Clef and Charles Hayward in their Oscilanz project Read the full feature here
First Performance of 2015
Upset the Rhythm – London, supporting Richard Youngs
Dusted Top 10 End of Year list
In good company for Joseph Burnett’s end of year essay
The Wire’s Top 50 Albums of 2014
LISTEN: THE WIRE
Laura Cannell speaks to Stewart Smith in The Wire 370. Describing the process which led to the recording of her debut solo album Quick Sparrows Over The Black Earth
LISTEN TO:
Tracks at The Wire
